Being an almost unknown argument not only in the Albanian knowledge but also in the tradition of natural monuments of art, the author would like to advise the following opinion of some primary level authorities International Umbero Eco has led the author to find meaning hid it for almost all the findings, since the chosen one of 1ij for the exposure and then to publish them as an illustrated book, especially mc Terminological explanations for the difference between a human work of art and as a finding, as a condition, as a phenomenon of nature, no matter what it looks like. If nature has worked and is working with mind and reason, I have talent and human hands by human hands. It was a very encouraging help for the author. the courage of the museologists and art historians of the Museo Nazionale di Roma, Professors Giancarlo Alu and Lucia Bonacini, who appreciated the aesthetic richness of his aesthetic richness of their collection and then made the exhibition possible. that encouraged the publication. The poet and art historian Gjergj Morena, poet and art researcher, facilitated the author's communication with the realization of his creative purpose. While Mr. Zef Paci, professor of art history at the History of Art at the Academy of Arts in Tirana and the University of Shkodra, was the first to University of Shkodra, he was the first to appreciate that these pictures were a collection of a creative force, a silent factor unknown to the mind human, but not from the neither technological nor cerebral. The study is accompanied by sentences of prominent thinkers in the fields of different fields of knowledge: esthetes, symbologists, semiologists, anthropologists, philosophers, philosophers, mythologists, anthropologists, poets, researchers of narrow disciplines and, of course, scientists. with detailed descriptions of the author himself, about the character of the figures, with images of the human world, their aesthetic values, etc.
Monika STAFA






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