When you look at these wood carvings, you are filled with an enthusiastic artistic feeling. I appreciate these works in many ways, both ideologically and artistically. A work of art can exist anywhere, it is enough for the artist who selects it to feel it and to fantasize in the selection, selection and interpretation in the composition of the work of art in the best possible way. In this case, we have the artist Muhamet Trepci, who with his intelligence, we enter a very rare artistic world, without much fanfare, the more we look at these works, the more we discover unrepeatable values.
The wood itself has a hidden history in which many difficult and good moments of the time when this tree was growing were recorded. But how difficult is it to discover the history of this tree buried in it? This question is best answered by the artist with more dignity through the early works that are now curated and exhibited. Figurative, full of fantasy, composition, variety of colors, they hold you for hours and remain in your memory for a long time as very original works that you want to return to again and again.
Composition - "The man who carries a great pain caused by a secret of his life".
He carried this pain as a delicately preserved core in the gender of the figure. By means of a very elegant and flowing drawing with more variation that goes from a delicate line to a strong one, to a very powerful materialization of shapes and details that they speak endlessly. In the gender of the powerful male figure, it is clearly distinguished, as in the antithesis of it, a delicate female figure, drawn like a nymph dressed in silk, through a very elegant drawing full of emotion. In the comprehensive figure we mentioned above, the mysterious man has a very strong and tough silhouette, carefully protecting his nymph. This silhouette is made up of two sides that are as similar as they are different.The atmosphere that leaves you speechless, because only a natural artist and a natural artist can make this figurative perversity unique in its kind.
By Zhaneta Kafillari (Painter)

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